Gerry Read – New Junk City LP

Gerry Read - New Junk City (2017)

Gerry Read’s New Junk City is a raw, gritty exploration of house music that defies conventional expectations, blending lo-fi aesthetics with a deep, almost chaotic energy. Released in 2012, this debut LP from the British producer showcases his penchant for unpolished, experimental sounds that push the boundaries of the genre. New Junk City is a record that feels both rough around the edges and meticulously crafted, offering a unique listening experience that stands out in the landscape of electronic music.

The album kicks off with "90s Prostitution Racket," a track that immediately sets the tone with its distorted, off-kilter beats and fragmented samples. The track’s lo-fi production and unconventional structure give it a raw, almost rebellious feel, as if Gerry Read is deliberately challenging the polished, formulaic sounds often found in house music. This sense of unpredictability runs throughout the album, making it a compelling listen for those who appreciate music that breaks the mold.

"Evidence" follows, bringing a more groove-oriented approach, but still retaining the rough, unpolished quality that defines the album. The track’s deep bassline and shuffling rhythm are layered with snippets of vocal samples and crackling textures, creating a sound that is both gritty and hypnotic. It’s a track that captures the essence of underground house music, where the focus is on the vibe rather than perfection.

As the album progresses, tracks like "Crawl" and "We Are" delve deeper into experimental territory, with broken rhythms, unconventional sampling, and a lo-fi aesthetic that borders on industrial. "Crawl" is particularly striking, with its eerie atmospheres and fragmented beats that create a sense of unease and tension. It’s a track that challenges the listener, asking them to engage with the music on a more visceral level.

"Y’all" offers a brief respite from the intensity, with a more laid-back, groove-driven sound that still maintains the album’s lo-fi edge. The track’s chopped-up vocal samples and deep, rolling bassline give it a sense of movement and flow, making it one of the more accessible moments on the album. However, even here, Gerry Read doesn’t shy away from introducing unexpected elements, keeping the listener on their toes.

The album closes with "Last Time," a track that encapsulates the chaotic energy of New Junk City. The track’s jittery rhythms, distorted samples, and relentless groove bring the album to a powerful conclusion, leaving the listener with a sense of having journeyed through a soundscape that is both challenging and deeply rewarding.

New Junk City is an album that refuses to conform to the norms of house music, instead offering a raw, experimental take on the genre that is both refreshing and bold. Gerry Read’s approach to production is unconventional, often prioritizing texture and atmosphere over clarity and precision. The result is a record that feels alive, full of imperfections that only add to its character.

For fans of lo-fi house, experimental electronic music, and those who appreciate an artist willing to take risks, New Junk City is a must-listen. It’s an album that challenges the listener, asking them to embrace the chaos and find beauty in the roughness. Gerry Read has crafted a debut that stands out in its originality and audacity, making New Junk City a significant release in the world of underground electronic music.